The same modular logic, running as software. A procedural builder for snapping polyhedra face to face — tetrahedra, Johnson solids, prisms and cupolas — setting height and rotation, then exporting the form you grow.
Open the builder →Mirrored modular sculptures are created at the intersection of geometric abstract art and growth, order and individuality.
Inspired by Axial-Age philosophies, sacred architecture, and digital logic, repeated geometric forms are transformed into hybrid organisms; each sculpture conceived as a relic of algorithmic thought and a reflection of natural complexity.
Each piece is initiated from a precise modular framework, composed of geometric units — tetrahedrons, pyramids, and dodecahedrons. These elemental shapes serve as the foundation, adhering to a fixed structural logic.
Through deliberate variation in orientation, connection, and scale, the modules evolve into branching, multi-directional formations — mimicking the organic logic of roots, mycelial networks, or crystalline growth. Rigid repetition becomes dynamic multiplicity: order as the seed of individuality.
Materials such as recycled 3D-printed plastic, mirrored glass, black marble, and metal are selected to embody this duality.
Mirrored surfaces reflect and fragment the surrounding environment, drawing viewers into a recursive experience. These works are not static objects — they are dynamic interfaces, living systems shaped by light, space, and perception.
Many sculptures are designed to straddle the line between art and function: mirrored lamps and modular structures are assembled to suggest architectural remnants or future relics.
Through this fusion of form and function, the boundary between design and art is collapsed — resulting in objects that feel both ancient and futuristic.
Soboof is the studio behind Mirbreak — mirrored modular sculptures built from 3D-printed geometric bodies and hand-cut mirror tile.
The work sits at the intersection of sacred architecture, algorithmic geometry, and craft. A single modular logic — tetrahedron, pyramid, dodecahedron — is repeated, varied, and pushed until it becomes organic: a bird, a fox, a relic.
Surfaces are hand-finished in the Ayeneh-Kari tradition — a centuries-old Persian technique of mirror inlay used in palaces and shrines. Each triangular shard captures a fragment of reality, so the piece changes with every viewer.
Soboof also runs workshops on modular thinking and mirror craft, and takes commissions for one-of-a-kind pieces and interior installations.
A hands-on session on Ayeneh-Kari: cut mirror, mount it to a modular body, leave with a sculpture you built. Small groups, in-studio.
Short writing on geometry, growth, mirror craft, and the philosophy of modular form. New entries when something is worth saying.
Commissions, gallery enquiries, press, and workshop bookings. If the brief is honest and the geometry is interesting, you'll hear back within a week.
